Annotation:Annotationen:Abstraction, Re-Presentation, and Reflection: An Interpretation of Experience and of Piaget’s Approach/Rqiu69ztol

From DigiVis
Jump to: navigation, search
Annotation of Annotationen:Abstraction,_Re-Presentation,_and_Reflection:_An_Interpretation_of_Experience_and_of_Piaget’s_Approach
Annotation Comment [[AnnotationComment::In this context, the metaphor of “program” may be useful. A program is the fixed itinerary of an activity that can guide and govern the sequence of its re-enactment. But there are two points to be stressed. First, a program may specify the material on which to act, but it does not supply the material; second, a program may specify what acts are to be performed, but it supplies neither the acting agent nor the action. The first of these limitations, I suggest, may account for the fact that to recognize an experiential item requires less effort than to re-present it spontaneously. This would be so, because in re-presentation not only a program of composition is needed, but also the specific sensory components, which must be expressly generated. In recognition, the perceiver merely has to isolate the sensory elements in the sensory manifold. As Berkeley observed, sensory elements are “not creatures of the will” (1710; p.29). Because there are always vastly more sensory elements than the perceiving agent can attend to and use,[8] recognition requires the attentional selecting, grouping, and coordinating of sensory material that fits the composition program of the item to be recognized.]]
Last Modification Date 2019-07-23T09:54:30.242Z
Last Modification User User:Sarah Oberbichler
Annotation Metadata
^"permissions":^"read":ӶӺ,"update":ӶӺ,"delete":ӶӺ,"admin":ӶӺ°,"user":^"id":6,"name":"Sarah Oberbichler"°,"id":"Rqiu69ztol","ranges":Ӷ^"start":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/divӶ1Ӻ/divӶ5Ӻ","startOffset":14,"end":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/divӶ1Ӻ/divӶ5Ӻ","endOffset":1214°Ӻ,"quote":"In this context, the metaphor of “program” may be useful. A program is the fixed itinerary of an activity that can guide and govern the sequence of its re-enactment. But there are two points to be stressed. First, a program may specify the material on which to act, but it does not supply the material; second, a program may specify what acts are to be performed, but it supplies neither the acting agent nor the action. The first of these limitations, I suggest, may account for the fact that to recognize an experiential item requires less effort than to re-present it spontaneously. This would be so, because in re-presentation not only a program of composition is needed, but also the specific sensory components, which must be expressly generated. In recognition, the perceiver merely has to isolate the sensory elements in the sensory manifold. As Berkeley observed, sensory elements are “not creatures of the will” (1710; p.29). Because there are always vastly more sensory elements than the perceiving agent can attend to and use,Ӷ8Ӻ recognition requires the attentional selecting, grouping, and coordinating of sensory material that fits the composition program of the item to be recognized.","highlights":Ӷ^"jQuery321099300528189935382":^°°,^"jQuery321099300528189935382":^°°Ӻ,"text":"In this context, the metaphor of “program” may be useful. A program is the fixed itinerary of an activity that can guide and govern the sequence of its re-enactment. But there are two points to be stressed. First, a program may specify the material on which to act, but it does not supply the material; second, a program may specify what acts are to be performed, but it supplies neither the acting agent nor the action. The first of these limitations, I suggest, may account for the fact that to recognize an experiential item requires less effort than to re-present it spontaneously. This would be so, because in re-presentation not only a program of composition is needed, but also the specific sensory components, which must be expressly generated. In recognition, the perceiver merely has to isolate the sensory elements in the sensory manifold. As Berkeley observed, sensory elements are “not creatures of the will” (1710; p.29). Because there are always vastly more sensory elements than the perceiving agent can attend to and use,Ӷ8Ӻ recognition requires the attentional selecting, grouping, and coordinating of sensory material that fits the composition program of the item to be recognized.","order":"mw-content-text","category":"Beispiel3","data_creacio":1563868469024°