Annotation:Text:Subitizing: The Role of Figural Patterns in the Development of Numerical Concepts/G2z6rspj3b

Referenztyp:	Theorie

Annotation of	Text:Subitizing:_The_Role_of_Figural_Patterns_in_the_Development_of_Numerical_Concepts
Annotation Comment
Last Modification Date	2020-07-24T12:00:18.819Z
Last Modification User	User:Sarah Oberbichler
Annotation Metadata	^"permissions":^"read":ӶӺ,"update":ӶӺ,"delete":ӶӺ,"admin":ӶӺ°,"user":^"id":6,"name":"Sarah Oberbichler"°,"id":"G2z6rspj3b","ranges":Ӷ^"start":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/pӶ6Ӻ","startOffset":0,"end":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/pӶ6Ӻ","endOffset":779°Ӻ,"quote":"What de Saussure said can be complemented by a simple diagram that shows that the “semantic connection” is always on the experiencer’s side of the experiential interface and not in what is often called the “objective environment” (see Fig. 1). De Saussure’s term “sound-image” refers to conceptual representations abstracted from the experience of spoken words and is, thus, analogous to “concept” which refers to conceptual representations of non-verbal experiences. Reality and the items considered part of it, are put between quotation marks because, from the constructivist perspective, they are an observer’s externalized percepts rather than “real” things or events in an observer-independent ontological world (cf. von Glasersfeld, 1974; Richards & von Glasersfeld, 1979).","highlights":Ӷ^"jQuery3210451839212681144462":^°°Ӻ,"text":"","order":"mw-content-text","category":"WissenschaftlicheReferenz2","data_creacio":1595584818071°