Annotation:Annotationen:Subitizing: The Role of Figural Patterns in the Development of Numerical Concepts/Zv7e5jlcdy

Annotation of	Annotationen:Subitizing:_The_Role_of_Figural_Patterns_in_the_Development_of_Numerical_Concepts
Annotation Comment
Last Modification Date	2020-07-24T17:02:51.706Z
Last Modification User	User:Sarah Oberbichler
Annotation Metadata	^"permissions":^"read":ӶӺ,"update":ӶӺ,"delete":ӶӺ,"admin":ӶӺ°,"user":^"id":6,"name":"Sarah Oberbichler"°,"id":"Zv7e5jlcdy","ranges":Ӷ^"start":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/divӶ1Ӻ/divӶ5Ӻ","startOffset":6293,"end":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/divӶ1Ӻ/divӶ5Ӻ","endOffset":7133°Ӻ,"quote":"Thus, analogous to the way in which a characteristic scan-path serves as the criterial recognition feature for specific classes of spatial patterns (e.g. triangles), a characteristic rhythmic structure serves as the criterial recognition feature for large classes of sensory events which, experientially, can be reduced to temporal patterns. Since these classes comprise not only auditory and motor events (whose nature is sequential in any case), but also visual and tactual events whose sequentiality is created by a relatively fixed linear order of the perceptual process, the recognition of rhythmic structures plays an important role in the phenomenon of subitizing and as a necessary precondition to the reflective abstraction of numerical concepts from linear configurations of items such as dots and tiles, and from Finger patterns.","highlights":Ӷ^"jQuery3210448935901035184772":^°°,^"jQuery3210448935901035184772":^°°Ӻ,"text":"","order":"mw-content-text","category":"Schlussfolgerung3","data_creacio":1595602971437°