Editing Annotation:An Introduction to Radical Constructivism/Vywz07foug

Jump to: navigation, search

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then save the changes below to finish undoing the edit.

This page supports semantic in-text annotations (e.g. "[[Is specified as::World Heritage Site]]") to build structured and queryable content provided by Semantic MediaWiki. For a comprehensive description on how to use annotations or the #ask parser function, please have a look at the getting started, in-text annotation, or inline queries help pages.

Latest revision Your text
Line 10: Line 10:
 
|LastModificationDate=2019-03-07T14:12:55.665Z
 
|LastModificationDate=2019-03-07T14:12:55.665Z
 
|LastModificationUser=User:Sarah Oberbichler
 
|LastModificationUser=User:Sarah Oberbichler
|AnnotationMetadata=^"permissions":^"read":ӶӺ,"update":ӶӺ,"delete":ӶӺ,"admin":ӶӺ°,"user":^"id":6,"name":"Sarah Oberbichler"°,"id":"Vywz07foug","ranges":Ӷ^"start":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/pӶ30Ӻ","startOffset":796,"end":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/pӶ30Ӻ","endOffset":1592°Ӻ,"quote":"Hence, Vico’s position is in that respect similar to that of Kant, who says; “Nature, therefore … is the collective conception of all objects of experience.”23 For Kant, it is the “raw material of sensory impression” which “the mind’s activity ... processes so that it becomes knowledge of objects that we call experience.” 24 In other words, experience as well as all objects of experience are under all circumstances the result of our ways and means of experiencing, and are necessarily structured and determined by space and time and the other categories derived from these. The processing of the raw material in Kant’s system is governed automatically by space and time (without which no experience would be possible) and the other categories which, for that very reason, are called a priori.","highlights":Ӷ^"jQuery321028761460178685332":^°°,^"jQuery321028761460178685332":^°°,^"jQuery321028761460178685332":^°°,^"jQuery321028761460178685332":^°°Ӻ,"text":"Erfahrungen und alle Objekte der Erfahrung sind unter allen Umständen das Resultat unserer Wege und Mittel des Erlebens","category":"Argument","data_creacio":1551964319124°
+
|AnnotationMetadata=^"permissions":^"read":ӶӺ,"update":ӶӺ,"delete":ӶӺ,"admin":ӶӺ°,"user":^"id":6,"name":"Sarah Oberbichler"°,"id":"Vywz07foug","ranges":Ӷ^"start":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/pӶ32Ӻ","startOffset":796,"end":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/pӶ32Ӻ","endOffset":1592°Ӻ,"quote":"Hence, Vico’s position is in that respect similar to that of Kant, who says; “Nature, therefore … is the collective conception of all objects of experience.”23 For Kant, it is the “raw material of sensory impression” which “the mind’s activity ... processes so that it becomes knowledge of objects that we call experience.” 24 In other words, experience as well as all objects of experience are under all circumstances the result of our ways and means of experiencing, and are necessarily structured and determined by space and time and the other categories derived from these. The processing of the raw material in Kant’s system is governed automatically by space and time (without which no experience would be possible) and the other categories which, for that very reason, are called a priori.","highlights":Ӷ^"jQuery321028761460178685332":^°°,^"jQuery321028761460178685332":^°°,^"jQuery321028761460178685332":^°°,^"jQuery321028761460178685332":^°°Ӻ,"text":"Erfahrungen und alle Objekte der Erfahrung sind unter allen Umständen das Resultat unserer Wege und Mittel des Erlebens","category":"Argument","data_creacio":1551964319124°
 
}}
 
}}

Please note that all contributions to DigiVis are considered to be released under the Creative Commons Attribution-NonCommercial-ShareAlike (see DigiVis:Copyrights for details). If you do not want your writing to be edited mercilessly and redistributed at will, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource. Do not submit copyrighted work without permission!

Cancel Editing help (opens in new window)