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^"permissions":^"read":ӶӺ,"update":ӶӺ,"delete":ӶӺ,"admin":ӶӺ°,"user":^"id":6,"name":"Sarah Oberbichler"°,"id":"Fbhmxtihuk","ranges":Ӷ^"start":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/pӶ27Ӻ","startOffset":0,"end":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/pӶ27Ӻ","endOffset":945°Ӻ,"quote":"This first distinction, as I have frequently said, is analogous to the one the artist makes with the first few lines on a sheet of paper, lines that determine what is going to be ‘figure’ and what ‘ground’. For the point of view I have adopted, the most important thing about that distinction is not what is being distinguished, but that the artist makes the distinction within the sheet, the canvas, or whatever he happens to be drawing on. Both figure and ground are parts of one and the same sheet. This is the feature traditional epistemology has tended to obscure: the distinction between the self and its environment is made, and can only be made, within an observer’s field of experience and does not concern the distinction between the observing subject and an ‘objective’ world to be observed or known. In other words, the self we come to know and the world we come to know are both assembled out of elements of our very own experience.","highlights":Ӷ^"jQuery321053202177302183022":^°°Ӻ,"text":"","category":"Argumentation2","data_creacio":1562058157499°
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