Annotation:Annotationen:Subitizing: The Role of Figural Patterns in the Development of Numerical Concepts/P1mzjdf4dk
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Revision as of 15:56, 24 July 2020 by Sarah Oberbichler (talk | contribs) (Created page with "{{Prämisse3}} {{TextAnnotation |AnnotationOf=Annotationen:Subitizing:_The_Role_of_Figural_Patterns_in_the_Development_of_Numerical_Concepts |LastModificationDate=2020-07-24T1...")
| Annotation of | Annotationen:Subitizing:_The_Role_of_Figural_Patterns_in_the_Development_of_Numerical_Concepts |
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| Annotation Comment | |
| Last Modification Date | 2020-07-24T15:56:16.574Z |
| Last Modification User | User:Sarah Oberbichler |
| Annotation Metadata | ^"permissions":^"read":ӶӺ,"update":ӶӺ,"delete":ӶӺ,"admin":ӶӺ°,"user":^"id":6,"name":"Sarah Oberbichler"°,"id":"P1mzjdf4dk","ranges":Ӷ^"start":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/divӶ1Ӻ/divӶ3Ӻ","startOffset":14,"end":"/divӶ3Ӻ/divӶ4Ӻ/divӶ1Ӻ/divӶ1Ӻ/divӶ3Ӻ","endOffset":495°Ӻ,"quote":"Figural patterns can be divided into two groups: Those that are constituted as a spatial configuration (to which corresponds a scan-path) and those that are constituted as temporal sequence (to which corresponds a rhythm). In both groups empirical abstraction from the actual sensory material out of which particular configurations or sequences are built up, yields figural patterns that have a certain general applicability and can be semantically associated with specific names.","highlights":Ӷ^"jQuery321043159286180920242":^°°Ӻ,"text":"","order":"mw-content-text","category":"Prämisse3","data_creacio":1595598976308°
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